Tag Archives: orgasm

why you should never fake an orgasm (and why I did)

goerge-bohunicky-unsplash

If you fake it, then because you think you owe your partner this trophy as a reflection of their expertise?

Why? Why not: no work, no pay?

Who owns your orgasm? One of my favourite lines in Verses Nature is when Carmina, after a disagreement with her lover, Tatar, writes in her diary: I refused to let him make me come. Think about that for a while: I refused to let him make me come.

Carmina owns her body, its pleasure, no matter if Tatar is convinced otherwize. Her orgasm: a gift she may choose not to give?

So, when and why did I fake it? Not for them. I did it for us. I did it for Simone. Simone Leigh and I met each other online. She writes coffee break erotica for women. We’re kind of in the same line of business. I write ‘high-brow rumpy dumpy’. Officially, I call it erotic literary fiction. Men are welcome. At some point I mentioned to Simone that I am a performance artist. At a later point I had a copy of her The Virgin’s Christmas in my hands. Two plus two makes…

Sure. Why not?

One of the problems I have with most of what goes by the name of romance is the role women play. When I think that most porn is made my men for men and most romance is written for women by women, then why do romance authors perpetuate the happy end myth of woman becomes wife? Is that all there is to it? To us? Find a man then settle down? I thought Austen was dead (in that respect).

Leigh’s The Virgin’s Christmas, upon first reading, appears to fall into the category of romance (and erotica), where the female is but a life-size toy men may operate, battery-free.

Take a second look. I did. As I rehearsed this piece, it became clear to me that the protagonist, Charlotte, is everything but a mere pawn. When the Christmas gift of a threesome with her ‘Master’ and Michael is jeopardized by a snowstorm, it is Charlotte who takes the initiative. Okay, they are stranded in the middle of nowhere, far from their desired destination, but must that mean all is lost? They have food, they have blankets. They have everything they need. And Charlotte can think of a good way to stay warm and kill time…

With two men serving her from both sides, Charlotte gets the pleasure she had set out for. Her orgasm is but a couple of words in the text, words which could (easily?) be lost in the overall narrative. Charlotte is, after all, outnumbered.

This is where I step in. I transform Charlotte’s climax into the climax of the story, thereby relegating the men’s orgasms to mere narrative side effects. I read the word Master, seeing in my mind ‘Master’, the citation marks meaning ‘so-called’ and thus dethroning him who, throughout the story, remains nameless (thus exchangeable?). The thrust behind the M as I pronounce it – Master… Michael… – could easily override the softer pronunciation of Ch in Charlotte – Ch/sh, like: be quiet… shut up… it’s a secret, so don’t tell anyone… (???)

My Charlotte stays in control. Her climax, not theirs, steals the show, as ‘Master’ becomes servant, one with no other option than to accept Charlotte’s decision regarding when they will meet again.

The Virgin’s Christmas is part of a series and in this particular episode (episode 7), there are no wedding bells, near or far. Maybe the three will meet again in the New Year? Charlotte will decide. In the meantime, she gets on with her life. With her studies. She’s a bright one, Charlotte. Neither her ‘Master’ nor the love-stricken Michael are calling the shots. I loved being her. Even though Simone Leigh doesn’t accord Charlotte’s orgasm the same weight that I, as a performer, may, it’s there in the text. I didn’t write it. It’s there, waiting for me. Is my more feminist-oriented reading of The Virgin’s Christmas to be reduced to simply faking it?

Make your own mind up.

more ways than one

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illustration: L.W.Eden, © copyright, 2015

Miss Virginia Mendes stumbles from the bourgeois bliss of her brittle marriage into the world of virtual romance, convinced that He must be out there, somewhere. Finding instead…

14.01.— Discovery 13:39:28+0100(CET)

I am a woman of my word.

When you send me one of your delicious lines, your sensual reveries, they touch something deep in the centre of me behind my navel. The heat spreads slowly. I think of sunrise. Of a sleepy beast, stirring. At the same time, my nipples, my clitoris, light up like a match. I burn, four hearts pulsating at different rhythms, at different points in my body: my nipples, my heart, my belly, my sex.

My heart is the fastest, fanned by my short, choppy breath. My nipples: throb sonorously, slowly, more than sexual, suffusing me with a gratification I recall from breastfeeding. A rhythmic, timeless tug. My sex tingles, beats like the excited heart of a child about to do something daring. I can’t wait. Desire lubricates me. I want to touch. To savour my own ripeness but I abstain. Pressing myself, hard, against the chair, I imagine it is your hand, your knee, your nose. I lift my skirt, open my legs, which part, making the sound of a kiss… In my mind, I knit your hair with my fingers as you drink me, as you bury into me with the different parts of your body as I squeeze my buttocks together, my rotating hips in barely perceptible movements.

My orgasm starts with my breasts. With a quick series of contractions, pushing down my body, like swallowing; the sensation ejaculating through me in little waterfalls. That my breasts may come alive like this is a revelation. They are not my favourite part of me. I learn, now, to acknowledge them; to take pleasure in the pleasure they give.

Sometimes my orgasm ends here, in my breasts, burnt out before descending further. On other occasions, it continues its  galloping downwards so that when I erupt, I feel like a fruit that has been squashed in the palm of your hand, juice spitting everywhere. And then there are those times I feel as if the floor beneath me has suddenly disappeared; I fly, pulverised into millions of particles. Hours it will take, before I may bring them all back together again; before I may ‘collect’ myself.

My most familiar sexual part of me, my least understood. Strange, that, in the absence of touch, energy and fantasy suffice to make me come alive. Woken up from a long winter sleep — and I’m starving! When my sex comes alive, shows her head, the tantalising warmth she releases spills down my legs. It becomes impossible for me to sit still. The slightest movement magnifies my excitement. I feel how the folds of my flesh fill with liquid desire. I know that if I put my hands there, tease back the lips, my fingers may drown, may slide around on quivering pink flesh. They may dive and probe the ridges of my inner walls. Resurface, stroke the inside of my thighs and be drawn by the obsidian throb of my clitoris. If you touch her, breeze across her, surreptitiously, she will flick a shudder through me like a whip. Do not touch her for too long. Tease her and keep her waiting. Therein lies the secret. What we both prefer is a slow, merciless rise to ecstasy. So when you excite me with your words and my desire is stirred, I do not force her; I let her dance, for I know that patience is all I need to discover the secrets of joy…

Do not misunderstand me. I can be more than satisfied without reaching a climax. An orgasm is not the hallmark of a successful sexual experience. Not for me, at least. Misrecognition of this has caused much unhappiness. When forced to an orgasm, I feel more frustrated than before. Duty, so-called, having been done, I have nonetheless been left behind. I am not a sex beast. I do not need multiple orgasms or to copulate interminably. I do need a good fuck… and I know that you know what I am talking about…

A multiple orgasm is, then, not necessarily one vaginal orgasm after another, but also, and more essentially, the (sometimes simultaneous) eruption of my key zones, of which there remains one to discover, as you know…

In trust, Gini

* *

PS 1.

noluckwiththefu@…: So is it fact or fiction?

GinImE@...: Semi-fiction.

noluckwiththefu@…: Meaning?

* *

PS 2.

noluckwiththefu@…: You get women’s hopes up with all that. You make them dissatisfied with their men. My man’s a good lover but I never had any of those other orgasms you’re talking about. You just made that bit up and that’s mean.

flow.tite.ange@…: Who said she made it up? I’ve had abdominal orgasms. I swear!

(Disbelieving snorts from the others)

kissmy@…: So who’s been giving you those inter-galactic orgasms, hey? Your husband?

(Laughter)

* *

PS 3.

sucette.du67@…: I think it was wrong to let her tell her husband. But I like the poetry.

GinImE@...: I’m listening…

sucette.du67@…: He doesn’t need to know all the details. You’re just putting yourself in an unnecessary dilemma. I know I wouldn’t want to know all the details about my man. He comes home with a smile on his face, that’s what counts.

kissmy@….: Even if some other pussy’s putting it there?

(sucette.du67@… sucks her teeth.)

babygirl@…: Shy is right. You’re passing the parcel, if you ask me.

GinImE@...: Go on…

noluckwiththefu@…: Well, you’re absolving yourself by telling your husband, but then you get him to bear the burden. It’s a bit chicken, don’t you think?

kissmy@….: Hell! Men’ve been having their cake and eating it too all along but listen sisters, this millennium’s for the ladies! My life has improved threefold ever since I woke up to this fact, ever since I stopped listening to all those nonsense songs about letting him be king, about just how perfect I would be if only he loved me right. I’m loving myself right — got rid of the complacent swine I had educated him to be ‘oh, don’t do that, honey, I’ll do it for you’. Sign of my love? Sign of my stupidity more like. Of my mis-education. I can have my cake and eat it too, n you know what, you guys are yummy. Yum yum, more of that please, but on my own terms from now on and you all better wrap up well cos the wind is changing.

babygirl@…: C’mon, stop dragging this down…

sucette.du67@…: No, let her have her say. What’s good for the goose is good for the gander. Why do we belittle ourselves and play coy when a guy says we’re pretty? We behave as though we’re hearing it for the first time, like we don’t deserve the compliment or something, instead of saying, Thank you, I know, which we do. Cos we are. They strut into the room without a shadow of a doubt so why shouldn’t we? Get over him, Gini. You’ve got eyes in the front of your head for a reason. Move on. (Talking more to herself now) you know when you just know it’s over, but all that time it takes you to say it; all that dead time in between knowing and doing? God, I’ve got so many dead years on my account. All gone to waste through cowardice and false loyalty… (wakes up) move on!

( from Mut@tus )

Of all the books I’ve read, this has divided me against myself more than any other.’

‘Don’t know what tablets you’re taking, but do, please, keep taking them. They seem to be working wonders. If you can get them on the NHS, please let me know.’

‘This is an abridgment of a novel which pushes the boundaries of women’s literary fiction to its limits – a D.H. Lawrence type moment (…) I can’t say enough good things about this novel. This is a haunting work which will stay in my head for a long time.’