He had loved her. She hadn’t Loved Him Back said the way he had painted her mouth so delicately, perfectly set somewhat back in her face out of his reach, a shadow perching on the other side. Love had painted a mouth about to speak words he feared for those he could not control. Love, those black eyes sizing him up or were they closed they looked different every time now they looked as if (what if???) she might be crying over whom?
Straight indecisive line leaving the direction of the nose open. Klee to the left? Anyhow, angles – he never got hers, not really – but for the triste arch of her unyielding eyes, that mouth, that chin, it had been Love up a one-way street and there he was with his gearstick all broken. She would never know never know how many strokes he had taken or where he had placed his last. How many times he had taken the effigy of her into his dreams how many cups of coffee, instant, how many rizzlas till the last. How many times she had resisted, resenting his intrusion and how many yielded how many times he had changed his mind, painted it over and what was the intention of that oblong of blue anyway was there room for symbolism in a portrait? Life is symbolism? Ahhh. Ok.
Black is a hard colour to paint with. He grafted shades of her skin onto it. Mille feuille. Breathing life into its cosmic potential like the Lord God who saw what He had done and was Pleased.
Her shoulders disagreed. This could hurt.
Copyright ©, Joan Barbara SImon, 2015. From Verses Nature, forthcoming.
I’ve been working on a novel for the past four years which I now know will never be written. Why? It was the wrong novel. Why did it take me so long to find that out? Because I was following a plan, not following my heart (queasy from the word Go). And yet I maintain: it has not been in vain. Allowing my new plan to be guided by my heart, I’ve now got a hell of a lot more to say about creative writing as praxis. My reading in the field makes more sense. My theoretical contribution to the field will make more sense, just as I know that my initial doubts made sense, as much as my fear today makes no sense.
Get it down. Get it done.
she who preoccupied thought has seen words come like foreseeable attacks and she changed their course. (Brossard, 2006)
style is not much a matter of choice (…) it is both a response to a constraint and a seizing of an opportunity. Very often a constraint is an opportunity. (Barthelme,1997)
A desire without a horizon, for that is its luck or its condition. And a promise that no longer expects what it waits for: there where, striving for what is given to come, I finally know how not to have to distinguish any longer between promise and terror. (Derrida, 1996)